July 22, 2026

How design can strengthen communities

It’s something I’ve spoken about before, but it’s been on my mind again recently.

For all the talent we have across our creative industries, many of us still work in isolation. It can be too easy to spend your days wrapped up in client work, leaving very little time to speak to other creatives. And I think that’s particularly true outside of the larger cities.

Places like Manchester, London and Bristol seem to have creative communities woven into the fabric of the city. There are regular events, talks, exhibitions and meet-ups where people naturally cross paths. Elsewhere, those opportunities can be much harder to find.

I think we’re missing something. Because while we often think of design as solving problems, one of its greatest strengths is its ability to bring people together.

Why community matters

A thriving creative community often, I think, grows because people have places to meet, opportunities to collaborate and reasons to start conversations. And that’s vital, because it’s those conversations that could lead to new projects, a different perspective or simply the knowledge that you’re not the only person facing the challenges of running a creative business.

As creatives, we often spend so much time building brands for others that we forget how important it is to build connections for ourselves.

The creative industries have always thrived on collaboration. Designers, illustrators, photographers, copywriters, makers and artists all bring different perspectives to the table, and it’s often where those perspectives overlap that the most interesting ideas emerge. And that’s why local events are so important. They can create shared experiences and give us a reason to leave our desks, step away from our screens, and spend time with people who understand the industry we’re part of.

Some of the most valuable conversations I’ve had didn’t happen in boardrooms or formal meetings. They’ve happened over coffee with people I’d never met before. Many of those conversations have gone on to become projects, collaborations or ideas I wouldn't have reached on my own.

It’s encouraging, then, to see more initiatives beginning to appear that are trying to nurture exactly this kind of local creative community. That Design Thing is one example of an event that aims to bring designers, makers and creative thinkers together, not simply to showcase work, but to encourage conversations and help build a stronger network of people who might otherwise never meet. It’s a small step, perhaps, but it’s a step in the right direction.

Ultimately, stronger creative communities benefit everyone.

The wider impact

Events like this can have huge benefits, not only for the design community, where we can gain support, inspiration, and opportunities for collaboration, but also for local businesses, which can gain access to a wider network of creative talent. Local areas benefit from fresh ideas, cultural activity and increased visibility for the creative sector.

Perhaps most importantly, people begin to feel that they’re part of something bigger than their own business.

Community isn’t built overnight. It develops through consistency, shared experiences, and people who are willing to create opportunities for others.

Good design has always been about solving problems. Maybe one of the problems worth solving is how we create stronger creative communities.

Because when creative people come together, good things usually happen.

What do you think? Have you found a local creative community where you are, or is it something your area is still missing? I’d love to hear your thoughts.

July 14, 2026

Creative careers rarely go to plan – and that’s normal.

Recently, I’ve been talking to both my sons about their futures. The eldest has recently finished his university course in Illustration and is feeling let down, frustrated and unsure which direction to go next. My younger son is about to begin his university career, and seeing what his brother is facing, he is understandably feeling a little unsure about how things will go.

Chatting with both of them and navigating all of this as a parent is hard, and it’s brought back some of the doubts and feelings I had at the start of my career. It got me thinking about the pressure that gets put on young people to have everything figured out before they’ve even started.

When I was 18, I couldn’t have told you what lay ahead for me. I didn’t know what path my education would set me on. I couldn’t have foreseen that I would be doing another degree in my forties. And I certainly couldn’t have predicted that my company partnership would break down and lead me to set up my own studio.

When we’re at school, most of us have this idea of the future as a simple, straight line: school, university, first job, dream job. In reality, especially in creative industries, it's rarely that simple.

In my experience, there are so many curveballs that life tends to throw our way – many of them our own creation, some totally out of our control. Things have a habit of jumping up when we least expect them to, completely changing our trajectory. But when we’re young and think we know how our life is going to go, it’s pretty hard to imagine that.

Uncertainty after education is normal.

The advice I wish I’d been given after leaving university (or school, for that matter) is this: You don’t have to have everything figured out. You don’t need to have a solid plan for what you want to do with the rest of your life. It’s absolutely fine not to have all the answers right from the start.

I read a lot of content from other creators and speak to many in person, and I can tell you that it’s extremely rare for anyone to follow their goals in a straight line. You will have deviations, obstacles and changes of heart along the way. Humans evolve, and situations change. And that’s all perfectly normal.

Graphic design is one of those professions where a degree isn’t the destination. It’s a really useful thing to get you started, yes, but I tend to think of it as a springboard rather than the be-all and end-all. You will continue learning throughout your career as the industry evolves, technology updates, and styles change. Your education is simply the backbone to all of that. It gives you the understanding behind it, but it can’t replace real-life experience. Some designers stay on the formal education route for years, and others have a rudimentary understanding and a decent set of exam results, yet still thrive in their industry.

I guess what I’m getting at is that there are so many ways to get to where you want to be. None of them is right or wrong. Follow your own path, and remember to allow for some flexibility.

Whether you're leaving school, starting university, graduating, or considering a change in direction, remember that very few careers follow a perfectly planned route.

The important thing isn't having all the answers today. It's staying curious, gaining experience, and being open to opportunities you might not even know exist yet.

Some of the best creative careers begin with a simple willingness to try something new.

January 11, 2025

Make A Shift To Find The Right Projects

Choose projects that offer quality over quantity and value over cost. Prioritise working with clients who understand the value of a well-thought-out process.

Going into 2024, I’d lost direction and knew I needed to do something about it. Things were leading me away from the kind of projects I truly enjoyed, and I knew a shift was needed to get me back on track.

Previously, I had gone through a significant change, completing a rebrand, renaming the business, and overhauling its image. But it didn’t seem like enough. The new branding was right, but there was a disconnection between how I presented myself and my work. That dissonance became a source of frustration.

The next step was to address that disconnect. The biggest change has been in how I choose my projects. Instead of accepting any job that comes my way, I’ve become more selective, focusing on the types of projects that excite me and push me creatively. I’ve shifted my attention toward larger branding projects that involve more than just designing a single element like a website or a logo. 

This approach has made the work more enjoyable, stretched my skills, and allowed me to get out of my comfort zone, building my professional confidence.

I can already feel the difference. But I still think there’s a danger of falling back into old patterns, so going into 2025, I want to stay resilient (stubborn perhaps) and keep up with laying more foundations and building on them.

The main points of focus will become:

Quality over quantity 

Rather than working on a high volume of projects, I want to prioritise working with fewer clients who understand and appreciate the value of a well-thought-out branding process. These are the clients who are willing to invest in a better creative partnership and allow me to oversee all parts of their brand development, from initial design concepts to final execution across various platforms. I’m particularly drawn to projects where I can help shape everything: visual identity and branding, digital design and build, print design and production, and even physical installations.

Value over cost

Rather than relying on offering lower rates to secure work, I’m working towards value-led projects where the client sees the worth of what I bring to the table. New projects I’m working on now are wider-ranging and longer-term, allowing me to act as a design consultant rather than just a designer.

By focusing on the kind of projects that inspire me, prioritising quality over quantity, and working with clients who value the process, I believe I’ll be able to continue to grow as a designer and ensure that I’m doing the work that I love. 

©2017– Tony Clarkson/&Something Studio